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Matt Otto
Educator, Performer

Matt Otto is currently the Assistant Professor of Jazz Studies at Kansas University (KU)  teaching Jazz Theory and Performance, Jazz Combo 1 and private lessons. Matt is also an Adjunct Professor at the Rutgers New Brunswick teaching online courses in jazz improvisation, theory and performance.

Matt Otto studied music performance and composition at Indiana University, Berklee School of Music, New School Jazz (BFA) and California Institute of the Arts (MFA). Having lived in Japan for 5 years, New York City for 7 years and Los Angeles for 6 years, he has performed with a variety of artists including Anthony Wilson, Larry Koonse, Rashid Bakr, Ben Monder, Wadada Leo Smith, Willie Jones III, Alan Ferber, Mark Ferber, Albert “Tootie” Heath, Gregory Hutchinson, Jonathan Kreisberg, Charlie Haden , Joe La Barbera, Leroy Vinegar, Jimmy Smith, Paul Jackson, Ari Honig, Ben Street, Mike Moreno, Sara Gazarek, Josh Nelson, Danny Weiss, William Parker, Matt Wilson, Steve Cardenas, Bobby Watson, Bob Weir, Deborah Brown,  Larry Goldings, Jerry Bergonzi, Eric Harland, Sheryl Bailey, Darek Oles, Erik McPherson, John Stowell, Ralph Peterson, Alan Pasqua,  Kurt Rosenwinkel, Reggie Workman and many others.

While in Los Angeles, Matt co-founded the Los Angeles Jazz Collective (lajazzcollective.org). 

Matt currently performs his original compositions with his Kansas City based septet with members Gerald Dunn on alto saxophone, Jeff Harshbarger on acoustic and electric bass, Shay Estes (vocals), TJ Martley on Piano/Keys, Mike Warren and/or Brian Steever on drums and Hermon Mehari on trumpet, as well as traveling several times per year to NYC and LA to perform and record with various jazz artists.

Matt has recorded and performed with the Grammy nominated Anthony Wilson Nonet (The Power of Nine, Groove Note 1035, 2006), and performs frequently in Los Angeles with the Grammy Nominated Alan Ferber Big Band as well as having recorded on over 50 CD’s as both a leader and a side man. 

Matt says the following about his Eastman tenor.  “The Eastman 52nd Street Tenor is one of the best modern saxophones I've ever played.  The horn has a big dark sound which projects well, is easy to play, has great ergonomics, and looks great!  Since I started playing it I've gotten many positive comments from both players and audience members regarding it's sound.”

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The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past. 

  • High F# key
  • Upper and lower stack adjustment screws
  • Hand-engraved neck and bell 
  • Metal resonators
  • Adjustable metal thumb hook
  • Italian leather pads
  • Blued steel springs
  • Unlacquered finish
  • Hand-hammered bell
  • Large bell
  • 52nd Street engraving
  • Rolled-style tone holes
  • CASX600 case included